Take the sky and upend it onto the earth
How do we generally look at a landscape? The land rolls out in front of us and the sky lifts up from the horizon way off in the distance.
A simple painting of that could be: the bottom half of the canvas would be green and the top half of the canvas would be blue.
Consider this on a painting: the land is fully, from the bottom to the top, covering the canvas. It’s a gorgeous green field fully covering the canvas. The painting is a green square.
And on the same painting, consider that the sky is fully, bottom to top, covering the canvas. It’s a gorgeous, ultimarine blue sky that is covering the green field.
What you have now is a blue square covering a green square.
Saying it creatively, I’ve literally placed the sky over the land and I’ve opened the sky up here and there so that the land can peek through. In this painting, the sky and the land are one.
Create wonder. Create surprises. Paint your painting; shoot your photo; sing your song; write your novel and in each one create moments that pull us, entice us, bring us in a little closer – and then, simply surprise us.
I was reminded of this in the most interesting way: I was on my way to work thinking about the day ahead when I saw a store door with a paper sign taped to it. The white paper stood out against the dark vertical door frame so it caught my eye. From a good ways away I could read the first line. It said in big dark letters: Please Use The.
The rest of the text was too small to make out and I got curious. Now I was actively watching the sign. Please Use The what? The big letters were telling me the request was important; the small letters were making me move in closer.
The fine print said: side doors.
Who in the world decided that those words had to be written so small and who in the world put that sign together? I’ll tell you who; a person who completely understands the concept of enticing and delivering.
Keep an eye out for these opportunities when you are creating or look for these moments when you are participating. They are simple and they engage us.
Many years ago I was in Europe sitting in the shadow of a cathedral looking straight up and attempting to draw the buttresses that were protruding from the wall.
It just wasn’t working. What I was seeing and what I was drawing didn’t make any sense. My drawing buddy told me to take my pencil, hold it at arm’s length, line it up with the angle the buttress made, and then, keeping that line, lay the pencil flat on the paper.
Try it sometime. The angle was probably 80 degrees but my brain kept flattening it out. But to draw the building correctly, I had to find and believe the extreme degree of that one line.
Something to keep in mind: train your eyes to observe what’s really there. The moment you take your eyes away, your brain takes over. When your brain takes over it begins to translate what it thinks it saw. It’s quite a task keeping it real.
I offer that story to you as you now look at this picture.
Dissect these angles. Which ones would your brain have dismissed as impossible if you were drawing or painting this scene?